I’ve been trying less and less to clean up the gesture lines I use to construct these characters in order to maintain a feeling of energy and movement. The wildebeest I think is a good example of this. You can see the lines are more chaotic and less precise than any of the previous characters and I think that adds to the overall aesthetic of the piece. As well as maintaining a sense of movement and energy this process is also training me to work in an almost traditional “pencil and paper” manner. I’ve said before that I’d like to start working using traditional media, be it pencil, charcoal, or ink, and make some originals, so these characters and this style of work would be a nice gateway to that.
It’s a nice change working on animal because they offer up so much variety in shape and character. I’ve found that I’m more prone to seeking out basic shapes and exaggerating proportions, whereas with human characters I’m always a little more cautious.
Since starting the daily characters I feel I’m able to get my eye in much quicker, though I still think I’m looking for something that I can’t quite see yet. What that something is I don’t quite know; a new process; an evolution of style, maybe? I think I just have to keep going and hopefully whatever it is I’m looking for will appear through repetition, like training any skill.