Last cycling piece for a while. I think this might be my favourite out of all these pieces. The composition works really well and the colour application has a screen-print aesthetic that I think compliments the piece. I was in two minds whether to fully render Mont Saint-Michel, but after a couple of tests I decided it was wiser to just stick to the line work and use the cloud as a way of giving the architecture some form. Its my hope that your eye is drawn to the white areas, specifically the cyclist first because of the small amount of black and white that comprise the character. This is because your eye is naturally drawn to negative space, sometimes known as the 80/20 rule. If you imagine a sheet of white paper with about 20 percent of the page covered by black, you will find your eye seeking out all the black areas. The same principle is being applied here with the black and white on yellow.